The Swing Painting
The Swing Painting. Up in the air and over the wall, till i can see so wide, rivers and trees and cattle and all. The swing was bought by the 4th marquess of hertford in 1865, five years before his death in paris.
It is considered to be one of the masterpieces of the rococo era, and is fragonard's best known work. It was inherited by his illegitimate son, richard wallace, and he and his wife hung the painting. A gentleman of the court reportedly requested the painter represent his mistress being pushed on a swing as he secretly admired her from below.
The swing was bought by the 4th marquess of hertford in 1865, five years before his death in paris.
The story behind the painting is fascinating and well documented. The models in the swing, edmond, auguste renoir 's brother, the painter robert goeneutte and jeanne, a young woman from montmartre, figure among the dancers in the ball. It depicts a fine summer's day.
A pupil of chardin (one of my favorite french genre painters) and boucher, he painted this image of a young lady on a swing in the gay and decorative rococo style so emblematic of the french aristocracy before the revolution.
This freedom is both physical and emotional. First, it portrays the theme of individual freedom. His most famous painting, the swing, not only captures the humour and sensuality of a love triangle, but it also captures the erotic feelings of hidden desire and fleeting temptation.let us explore a.
The two pictures were painted in parallel in the summer of 1876.
Up in the air and over the wall, till i can see so wide, rivers and trees and cattle and all. Fragonard painted the swing with the intention of flattering the baron and his mistress, to supply them with a lighthearted, frivolous painting and to provide an intimate memento of their relationship. L'escarpolette), also known as the happy accidents of the swing (french:
The painting is of a woman on a swing that is being pushed…
Feel free to explore, study and enjoy paintings with paintingvalley.com Ever a child can do! The swing has many points in common with the ball at the moulin de la galette.
In the center of the painting stands a young woman, the baron’s mistress, on a swing.
Jean honore fragonard painted the swing in 1766. (at the time, a swing was a conventional symbol for infidelity.) she is being pushed by an elderly man in the background who has no idea of the young man's presence. A young man with his back to the viewer is talking to a young woman holding on to a swing, watched by another man who leans against the trunk of a tree, and a little girl.
